21 products were found matching your search for Truth Teller in 3 shops:

Innkeeper’s daughters Adele and Eleda are “mirror twins”—identical twins whose looks are reflections of each other’s—and their special talents are like mirrors, too. Adele is a Safe-Keeper, entrusted with hearing and never revealing others’ secrets; Eleda is a Truth-Teller, who cannot tell a lie when asked a direct question. The town of Merendon relies on the twins, no one more than their best friend, Roelynn Karro, whose strict, wealthy father is determined to marry her off to the prince. When the girls are seventeen, a handsome dancing-master and his apprentice come to stay at the inn, and thus begins a chain of romance, mistaken identity, and some very surprising truths and falsehoods.

As twins with special gifts, one for keeping secrets and one for telling the truth, sisters Adele and Edela are important figures in the town of Merendon, thus when they turn seventeen and a dancing-master and his apprentice come to stay at their father’s inn, flirtatious acts and mistaken identity result in unexpected relationships amongst the group.

Book is in NEW condition. 0.84

No Country For Truth Tellers is the true account of filmmaker James Anaquad Kleinert as he reveals the roundup and removal of America’s Wild Horses - a direct consequence of the Federal Government selling off Public Lands to the Extractive Industries. As James investigates the Fracking and Uranium Mining deals that are devastating his beloved community, his First Amendment Rights are violated - and we discover that our own Constitutional, Civil and Environmental Rights are be systematically stripped away for the sake of ruthless greed. This journey climaxes with James' victory in Federal Court, setting precedent in Freedom of Information Act Law, and segues into a vision of a Green Regenerative Economy where the rights of all are protected. This is the story America’s Wild Horses tell us about ourselves, globalization and the ability of a storyteller to persevere despite being targeted by the most powerful government in the world. It is an honest tale of activism, passion, perseverance and transformation that touches the heart of the American West and Beyond. Director James Anaquad Kleinert’s films investigate the heart of Western American culture, environmentalism and activism. James has been described as one of the most revealing Western documentary filmmakers in the last 10 years (American Cowboy Magazine: Top Westerners to Watch 2009). His last film Wild Horses & Renegades was reviewed by Blog Critics as one of the top ten over looked films: Link: (http://www.richardrbmarcus.com/journal/movie-review-wild-horses-renegades). For more information please visit www.mustangsrenegades.com & www.theamericanwildhorse.com

No Country For Truth Tellers is the true account of filmmaker James Anaquad Kleinert as he reveals the roundup and removal of America’s Wild Horses - a direct consequence of the Federal Government selling off Public Lands to the Extractive Industries. As James investigates the Fracking and Uranium Mining deals that are devastating his beloved community, his First Amendment Rights are violated - and we discover that our own Constitutional, Civil and Environmental Rights are be systematically stripped away for the sake of ruthless greed. This journey climaxes with James' victory in Federal Court, setting precedent in Freedom of Information Act Law, and segues into a vision of a Green Regenerative Economy where the rights of all are protected. This is the story America’s Wild Horses tell us about ourselves, globalization and the ability of a storyteller to persevere despite being targeted by the most powerful government in the world. It is an honest tale of activism, passion, perseverance and transformation that touches the heart of the American West and Beyond. Director James Anaquad Kleinert’s films investigate the heart of Western American culture, environmentalism and activism. James has been described as one of the most revealing Western documentary filmmakers in the last 10 years (American Cowboy Magazine: Top Westerners to Watch 2009). His last film Wild Horses & Renegades was reviewed by Blog Critics as one of the top ten over looked films: Link: (http://www.richardrbmarcus.com/journal/movie-review-wild-horses-renegades). For more information please visit www.mustangsrenegades.com & www.theamericanwildhorse.com

How officials reporting to both executive officials and congressional representatives work to keep the government honest, efficient, and effective.Inspectors general are important players in the federal government, and their work often draws considerable public attention when one of them uncovers serious misdeeds or mismanagement that make the headlines. This book by two experts in public policy provides a comprehensive, up-to-date examination of how inspectors general have operated in the four decades since Congress established the offices to investigate waste, fraud, and mismanagement at federal agencies and to promote efficiency and effectiveness in government programs.Unique among federal officials, inspectors general are independent of the agencies they monitor, and they report to the executive and legislative branches of government. One key factor in their independence is that they are expected to be non-partisan and carry out their work without regard to partisan interests.The authors of U.S. Inspectors General: Truth Tellers in Turbulent Times emphasize the “strategic environment” in which inspectors general work and interact with a variety of stakeholders, inside and outside the government. Their new book is based on in-depth case studies, a survey of inspectors general, and a review of public documents related to the work of inspectors general. It will be of interest to scholars and students of public policy and public management, journalists, and ordinary citizens interested in how the government works or doesn’t work on their behalf.

How officials reporting to both executive officials and congressional representatives work to keep the government honest, efficient, and effective.Inspectors general are important players in the federal government, and their work often draws considerable public attention when one of them uncovers serious misdeeds or mismanagement that make the headlines. This book by two experts in public policy provides a comprehensive, up-to-date examination of how inspectors general have operated in the four decades since Congress established the offices to investigate waste, fraud, and mismanagement at federal agencies and to promote efficiency and effectiveness in government programs.Unique among federal officials, inspectors general are independent of the agencies they monitor, and they report to the executive and legislative branches of government. One key factor in their independence is that they are expected to be non-partisan and carry out their work without regard to partisan interests.The authors of U.S. Inspectors General: Truth Tellers in Turbulent Times emphasize the “strategic environment” in which inspectors general work and interact with a variety of stakeholders, inside and outside the government. Their new book is based on in-depth case studies, a survey of inspectors general, and a review of public documents related to the work of inspectors general. It will be of interest to scholars and students of public policy and public management, journalists, and ordinary citizens interested in how the government works or doesn’t work on their behalf.

'To power structures folk music is and always has been utterly fucking destructive. It’s a truth teller and it’s a power killer.' Brandi Carlile, Newport Folk Festival, July 24th 2022 1/2" antiqued sterling silver inverted triangle - a symbol of queer resistance - showcasing a dove on one side and a rock n roll sign on the other On 16, 20 or 24" chain Made in NYC, using ethically sourced materials, always Please allow 5 days for shipping Sterling silver consists of 92. 5% silver, and the remaining part is copper. This is the reason why sterling silver is popularly referred to as "925 sterling silver" or just 925 silver. Silver needs to be combined with other metals because it is very difficult to make great designs with just pure silver, which is soft and malleable. A bit of hardness has to be introduced, by adding other metals such as copper or brass. That’s why jewelers - (oh, hay) - are capable of making intricate and complex designs with 925 sterling silver. Pure silver is not susceptible to tarnish in a pure oxygen environment. However, the copper that is contained in 925 sterling silver may react to the ozone and hydrogen sulfide in the air and cause sterling silver to tarnish. Perfumes, hair sprays, and profuse sweating can also cause a quicker formation of tarnish. You won't be able to 100% prevent tarnish from forming, but there are a few ways you can significantly delay the formation of tarnish. The best way is to wear your sterling silver jewelry frequently. The oils in your skin will "clean" the sterling silver every time you wear a piece. Another way to delay tarnishing is to store sterling silver in an airtight container, Preferably with an anti-tarnish strip, which we happily supply with every purchase. While it may not look pretty, plastic zip-top bags are the best container to use to store your jewelry. A jewelry box with a tight-fitting lid is also a good option. A great way to clean tarnish off silver is with dish soap. Form a lather with your hands and rub the tarnish off your silver. Finish the job with one of our cloths for a gentle rub down.

Weld 's sonic ambition is evident early on: within fifteen minutes it has transported us from the stately, medievalist keyboard/choral poetics of 'Truth Teller', through the agitated wormhole techno of 'Dreamsnake' (preview below), to the white light-emitting, near-symphonic plainchant of 'Healer'. As these piece's titles suggest, this is an album steeped in myth and ideas of personhood that are pre-modern, or at least exist outside of modernity. Accordingly, Coloccia and Barnett's high-fidelity

Necessary brattiness is the motto in Speedy Ortizs dauntless new collection of songs, "Twerp Verse." The follow-up to 2015's "Foil Deer," the band's latest indie rock missive is prompted by a tidal wave of voices, no longer silent on the hurt theyve endured from society's margins. But like many of these truth-tellers, songwriter, guitarist and singer Sadie Dupuis scales the careful line between what she calls being "outrageous and practical" in order to be heard at all. - "Twerp Verse" was

Although Kellen was raised as a boy, she builds a strong bond with Gryffin, the kingdom's new Dream-Maker, and when Gryffin is whisked away to the castle, Kellen is forced to face her feelings for Gryffin in his absence. By the author of The Truth-Teller's Tale.

“Steve Shell is an old-school, truth-teller of a poet. In Circles of Salt, he plows through a world of killers and saints, school teachers and coal miners, Appalachian mountains and small fires. These are tough poems, completely unafraid to take on the big questions of privilege and violence. At every turn, this poet grapples with what it means to be alive in this world, this country, this moment right now. He takes the world we know and gives it back in the form of these poems: dogwood trees twisting in the forest, misplaced hearts tucked under the bed, gospels hymn shouted over the river for all to hear.” --Matthew Olzmann, author of Mezzanines Steve Shell is a teacher and poet from Asheville, NC. Steve currently serves as the executive director and host of Poetry Slam Asheville as well as the Artistic Director for Homeword Youth Slam in Asheville, North Carolina.

We Shot the War: Overseas Weekly in Vietnam examines the legacy of one of the most popular and eccentric newspapers to cover the Vietnam War. With its mix of hard-hitting military exposés, pinups, and comic strips, Overseas Weekly earned a reputation as a muckraking truth teller. Time magazine called it “the least popular publication at the Pentagon.” From 1966 to 1972, the paper’s reporters and photographers tackled controversial topics, including courts-martial, racial discrimination, drug use, and opposition to command. And they published some of the most intimate portraits of American GIs and Vietnamese civilians, taken with the specific purpose of documenting the daily life of individuals caught in the world’s most grueling and disputed conflict. Through striking photographs and personal essays, We Shot the War brings viewers behind the viewfinders of photojournalists who covered the conflict and introduces readers to two extraordinary women: founder Marion von Rospach and Saigon office bureau chief Ann Bryan. Together, they fought for the right of women to report in combat zones and argued against media censorship. Foreword by Eric Wakin Contributors: Cynthia Copple, Art Greenspon, Don Hirst, Brent Procter

This is a love story. But it is also a detective story. And best of all, it is a true story, told here for the the first time. Gilbert Keith Chesterton was a romantic, a writer of detective tales, and a teller of the truth. His own story and the stories he told are becoming better and better known. But what has remained unknown is the story of the most important person in his life: his wife Frances. Nancy Carpentier Brown has done incredible detective work to uncover the mystery of Frances, tracking a figure who managed to leave very few traces of herself. It is quite likely that as more is discovered about Frances, more biographies will be written of her, and they will be even more complete. But they will all come back to this one. -          Dale Ahlquist, from the Foreword

Sgt. Clifford Stone is one of the most important truth tellers of our time. This book is a collector’s treasure of his unique personal experiences in the military with real extraterrestrial beings. I recognize his truth and honor him for having the courage to tell it. Clifford carries a time sensitive and world changing message vital to our very survival, that “they are not hostile.” His story educates and opens doors to a new awareness about what’s really going on behind veils of secrecy which influences all our lives. He leads us into a whole new way of thinking and behaving. Clifford Stone raises our consciousness, touches my heart, and brings me to tears with his fascinating true story.

Barton Gellman’s informant called himself ‘Verax’ – the truth-teller. It was only later that Verax unmasked himself as Edward Snowden. By that point he had already shared thousands of files with Gellman.Dark Mirror is the ultimate inside account of the vast, global surveillance network that now pervades all our lives. Gellman’s primary role in bringing Snowden’s revelations to light, for which he shared the Pulitzer prize, is only the beginning of this gripping real-life spy story. Snowden unlocked the door: here Gellman describes what he found on the other side over the course of a years-long journey of investigation. It is also the story of his own escalating battle against unknown digital adversaries after he discovered his own name on a file in the NSA document trove and realised that he himself was under attack.Through a gripping narrative of paranoia, clandestine operations and jaw-dropping revelations, Dark Mirror delineates in full for the first time the hidden superstructure that connects government espionage with Silicon Valley and the most powerful corporation whose name you’ve never heard. Who is spying on us and why? Here are the answers.

America has no finer teller of tales than Ray Bradbury. For more than fifty years he has regaled us with wonders, enchanted us with memories, and startled us with simple truths, enabling us to view from fresh perspectives the world we inhabit, and see others we never dreamed existed.Now the master treats us to another round -- eighteen brand -- new stories and seven previously published but never before collected-proof positive that his magic is as potent as ever. Here is a rich elixir distilled from the pungent fruit of experience and imagination, expertly prepared by a superior mixologist whose hand is sure and whose eyes and ears have long taken in the shouting, weeping, carping, reveling life all around him.Sip the sweet innocence of youth, and the wisdom and folly -- of age. Taste the warm mysteries of summer and the bitterness of betrayed loves and abandoned places. This glass overflows with a heady brew that will set your mind spinning and carry you to remarkable locales: a house where time has no boundaries; a movie theater where deconstructed schlock is drunkenly reassembled into art; a faraway planet plagued by an epidemic of sorrow; a wheat field that hides a strangely welcome enemy. The comforts of arguments eternal; the addictive terror of a predawn phone call; the ghosts of dear friends, of errant sons and lost fathers, and of lovers both joyously remembered and never-to-be, are but a few of the ingredients that have gone into Bradbury's savory cocktail. And every satisfying swallow brings new surprises and revelations.One More for the Road is superb refreshment served with wit, heart, and flair by the incomparable Bradbury. This one's on Ray.Drink up!

He was a brilliant teller of tales, one of the most widely read authors of the twentieth century, and at one time the most famous writer in the world, yet W. Somerset Maugham’s own true story has never been fully told. At last, the truth is revealed in a landmark biography by the award-winning writer Selina Hastings. Granted unprecedented access to Maugham’s personal correspondence and to newly uncovered interviews with his only child, Hastings portrays the secret loves, betrayals, integrity, and passion that inspired Maugham to create such classics as The Razor’s Edge and Of Human Bondage. Portrayed in full for the first time is Maugham’s disastrous marriage to Syrie Wellcome, a manipulative society woman who trapped Maugham with a pregnancy and an attempted suicide. Hastings also explores Maugham’s many affairs with men, including his great love, Gerald Haxton, an alcoholic charmer. Maugham’s work in secret intelligence during two world wars is described in fascinating detail experiences that provided the inspiration for the groundbreaking Ashenden stories. From the West End to Broadway, from China to the South Pacific, Maugham’s remarkably productive life is thrillingly recounted as Hastings uncovers the real stories behind such classics as Rain, The Painted Veil, Cakes & Ale, and other well-known tales.

We Shot the War: Overseas Weekly in Vietnam examines the legacy of one of the most popular and eccentric newspapers to cover the Vietnam War. With its mix of hard-hitting military exposés, pinups, and comic strips, Overseas Weekly earned a reputation as a muckraking truth teller. Time magazine called it “the least popular publication at the Pentagon.” From 1966 to 1972, the paper’s reporters and photographers tackled controversial topics, including courts-martial, racial discrimination, drug use, and opposition to command. And they published some of the most intimate portraits of American GIs and Vietnamese civilians, taken with the specific purpose of documenting the daily life of individuals caught in the world’s most grueling and disputed conflict. Through striking photographs and personal essays, We Shot the War brings viewers behind the viewfinders of photojournalists who covered the conflict and introduces readers to two extraordinary women: founder Marion von Rospach and Saigon office bureau chief Ann Bryan. Together, they fought for the right of women to report in combat zones and argued against media censorship. Foreword by Eric Wakin Contributors: Cynthia Copple, Art Greenspon, Don Hirst, Brent Procter

The films of Federico Fellini (1920-1993) deal equally with truth-tellers and pretenders, realists and fabulists. His colorful, surreal vision of cinema is so distinctive that the term "Felliniesque" is common among film buffs, even those who have not seen any of his films. This collection of interviews spans the director's entire career from 1957 to 1993. Fellini began making films shortly after World War II, working in a style similar to the Italian neorealists Roberto Rossellini and Vittorio De Sica, but he soon distinguished himself from them by introducing elements of his dreams into his movies. While his earlier masterpieces--such as I Vitelloni, La Strada, and The Nights of Cabiria--are realistic in setting and plot, his post-1960 films are baroque and surrealist. Even 8 1/2, one of his recognized masterpieces and widely regarded as a veiled autobiography, is deeply fantastical. Fellini's feverish imagination is evident in interviews as well. His friends and enemies alike were quick to call him a buggiardo--a big liar. It is perhaps more accurate to note that Fellini understood the inherent theatricality of all performance, including the interview form, and that artifice is just as revealing as plain truth. In his conversations with interviewers and the media, he often blurred the line between truth and sheer invention. Bert Cardullo is a professor of English and American literature at Fatih University in Istanbul, Turkey. He is the author of In Search of Cinema: Selected Writings on International Film Art and Vittorio De Sica: Director, Actor, Screenwriter, among other books.